"Nothing strengthens authority so much as silence."
-DA VINCI-
Leonardo da Vinci's Vitruvian Man (c. 1487) depicts what the artist believed were the perfect proportions of human anatomy.

Italy did not become a unified nation until 1864. This map of Italy in 1494 shows that the peninsula was divided into many small states. Genoa, Milan, and Venice were among the most important. By this date the Turkish Ottoman Empire (on the right side of the map) replaced the Byzantine Empire.
Learning and the Arts began to flourish during the Renaissance
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Wealthy families and the church had amassed enough wealth to become patrons.
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The invention of the printing press encouraged literacy and helped to spread new ideas.
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The 1564 discovery of a graphite mine in England and the development of Chinese papermaking in Europe made it easier for people to write.
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The development of financial techniques such as bookkeeping and credit allowed merchants to prosper.

A portrait of Cosimo de' Medici by Agnolo Bronzino
A portrait of Lorenzo de' Medici by Agnolo Bronzino

Leonardo da Vinci's Mona Lisa has been acclaimed as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world."
Statue of Moses by Renaissance artist Michelangelo Buonarroti, Moses has horns because of a mistranslation of the Bible. Michelangelo's Bible translated Exodus 34:29 as "And when Moses came down from the mount Sinai, he held the two tables of the testimony, and he knew not that his face was horned from the conversation of the Lord." The English Standard version of the Bible translates the verse as, " When Moses came down from Mount Sinai, with the two tablets of the testimony in his hand as he came down from the mountain, Moses did not know that the skin of his face shone because he had been talking with God."

The ceiling of the Sistine Chapel (above) is one of the world’s most famous paintings, but not everyone was happy with Michelangelo’s work. Cardinal Biagio de Cesena noted that the crowd of more than 300 human figures would be more appropriate in a wine shop than in a papal chapel. Michelangelo responded to this criticism by adding a portrait of Biagio (right) among the figures of the damned in the scene of the Last Judgment.
This is believed to be a self-poirtrait of Pieter Bruegel the Elder, a Flemish Renaissance painter known for his landscapes and peasant scenes.
William Shakespeare...perhaps. Martin Droeshout created the iconic engraving (above) for the first edition of Shakespeare’s published works. It is unlikely that Droeshout and Shakespeare ever met, but Droeshout may have worked from an authentic portrait, which hasn’t survived.

Niccolò Machiavelli (1469–1527) was an Italian historian, politician, diplomat, and writer based in Florence during the Renaissance.

The tltle page of Niccolò Machiavelli's The Prince (1532)

Farinata degli Uberti (died 1264), was an Italian aristocrat and military leader. He appears as a character in Dante Alighieri 14th-century epic poem Divine Comedy.

The Peasant Dance is an oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder, painted in c. 1569.

The Doge's Palace in Venice, Italy. The palace was the residence of the Doge of Venice, the supreme authority of the Republic of Venice. Today it is a museum.
Renaissance
Europe slowly recovered in the years following the Black Death—a terrible sickness that claimed the lives of close to half the people of Europe between 1346 and 1353. During the next two centuries, European scholars began to study the classical civilizations of Greece and Rome. Art became more true to life. Explorers discovered new lands. Historians call this age "the Renaissance,” a French word that means "rebirth."
The Renaissance began in Milan, Genoa, and Venice. Today these cities are part of the Italian Republic, but in the fourteenth century they were independent city-states. They became centers of trade between Europe and the Middle East. Wealthy merchants in the cities learned that Arab scholars had preserved the writings of the ancient Greeks in their libraries. So when the merchants traded with the Arabs, they exchanged ideas as well as goods.
The Roman Emperor Constantine moved his capital 850 miles east from Rome to the Greek-speaking city of Byzantium. For hundreds of years after Rome fell to Germanic invaders, the Byzantine Empire continued in southeast Europe. After the Byzantine Empire fell to Muslim Turks in 1453; many Christian scholars left Greece for Italy.
Inventions helped to spread learning during the Renaissance. Johann Gutenberg invented the printing press by 1450, which meant that books could be copied by machine instead of by hand. The discovery of a graphite mine in England led to the invention of the pencil.
The spirit of rebirth in Europe influenced painting, sculpture, and architecture. The merchants used their great wealth to hire painters and sculptors to create great art for their churches, their homes, and their cities. Artists advanced the Renaissance style, a style that showed more scenes of nature and depicted the feelings of people. Painting and sculpture became more realistic and focused less on religious topics.
Historians consider the Renaissance to be the beginning of modern history. In the 150 years after the Black Death, the Renaissance would spread throughout Europe. England’s William Shakespeare would write great plays, Leonardo daVinci would make advances in science and art, and explorers would discover that a “New World” lay beyond the Atlantic Ocean.
The Medici
In the 15th century, the leading families of Florence decided they needed a strong person in charge to lead them against the growing threat of rival cities. They chose Cosimo de Medici, a wealthy banker, to take control of the government. Cosimo maintained the appearance of republican government, but he appointed his relatives and people he could control to important positions. When Cosimo died in 1464, his son and grandson continued his policies. The Medici maintained control by exiling people who disagreed with them and encouraging other Italian cities to form alliances with Florence.The best known of the Medicis was Cosimo’s grandson, Lorenzo, who was known as “Lorenzo the Magnificent.” Lorenzo was not only a shrewd banker and clever politician; he was also a scholar and a poet. Under Lorenzo’s leadership, Florence became one of the most beautiful and prosperous cities in Italy, as well as a center of the Renaissance.
Renaissance Art
Renaissance patrons wanted art that showed joy in human beauty and life’s pleasures. Renaissance art is more lifelike than in the art of the Middle Ages. Renaissance artists studied perspective, or the differences in the way things look when they are close to something or far away. The artists painted in a way that showed these differences. As a result, their paintings seem to have depth.
An artist from Florence named Giotto was one of the first to paint in this new style. Giotto lived more than a century before the beginning of the Renaissance, but his paintings show real emotion. The bodies look solid, and the background of his paintings shows perspective. The art produced during the Renaissance would build upon Giotto’s style.
Leonardo da Vinci was born in 1452 in the village of Vinci. His name means Leonardo of Vinci. Leonardo began his career working for a master painter in Florence. By 1478, Leonardo left his master and set up his own workshop. People have been trying to guess the secret behind the smile of his Mona Lisa ever since he painted it around 1505. His Last Supper shows clearly the different feelings of Jesus and his followers.
Leonardo’s fame grew—but not just for his painting. Leonardo was truly a “Renaissance Man,” skilled in many fields. He was a scientist and an inventor as well as an artist. He made notes and drawings of everything he saw. Leonardo invented clever machines, and even designed imitation wings that he hoped would let a person fly like a bird.
Michelangelo Buonarroti of Florence was one of the greatest artists of all time. Like Leonardo, Michelangelo was a “Renaissance Man” of many talents. He was a sculptor, a painter, and an architect. When Michelangelo carved a statue of Moses, he included veins and muscles in the arms and legs.
Michelangelo was a devout Christian, and the church was his greatest patron. He designed the dome of St. Peter’s church in Rome. Nearby, Michelangelo’s paintings cover the ceiling of the Sistine Chapel, the building where new popes have been selected for more than five hundred years. Michelangelo’s painting illustrates the Book of Genesis, with scenes that span from the Creation to the Flood. The project was very difficult. Working alone, Michelangelo had to lie on his back atop high scaffolding while he painted the vast ceiling.
The Renaissance Spreads
The rebirth of the Italian cities attracted visitors from all over western Europe. Merchants and bankers hoped to make their fortunes in the Italian city-states. Artists and students sought knowledge and fame. When these travelers returned home, they brought Renaissance ideas with them. In time, the ideas of the Renaissance influenced people far from the Italian peninsula.
William Shakespeare is the best-known writer of the Renaissance. His plays mixed humor with drama, and showed the strengths and weaknesses of people. Audiences flocked to see his presentations of Roman emperors, British kings and queens, and Italian teenagers.
Pieter Bruegel was a Dutch painter who wanted to show people as they really were. Breugal studied Italian art, but he developed his own style. Many of his paintings show peasants working, dancing, and eating.
Niccolò Machiavelli
Niccolò Machiavelli was one of the most influential writers of the Renaissance. He believed Italy could not be united unless its leader was ruthless. In 1513, he wrote The Prince, where he advised rulers to be kind only of it suited their purposes. Otherwise, he warned, it is better to be feared than loved.
“You must know there are two methods of fighting, the one by law, the other by force; the first method is of men, the second of beasts; but because the first is frequently not sufficient, one must have recourse to the second. Therefore it is necessary for a prince to understand how to use the methods of the beast and the man . . .
A prince . . . ought to choose the fox and the lion; because the lion cannot defend himself against traps and the fox cannot defend himself against wolves. Therefore, it is necessary to be a fox to discover the traps and a lion to terrify the wolves. Those who rely simply on the lion do not understand this.”
-- Niccolo Machiavelli, The Prince (1513)
Social Classes of the Renaissance
The people of Renaissance Florence, like most city–states of the era, were composed of four social classes. The nobles owned much of the land, and lived on large estates outside the city walls. They behaved according to the rules of chivalry and distained the merchants.
The merchants were the newly rich, who gained wealth in industries like wool processing, boat making and banking. The merchants sought to protect their wealth by controlling the government and marrying into noble families. They became patrons of great artists in order to gain public favor. The middle class of Florence was composed of shopkeepers and professionals.
At the lowest level were the workers, who did not have job protection and were very dependent on their employers. Workers who violated rules could have their wages withheld or could be discharged from their jobs. As difficult as their lives were, however, these urban workers were better off than the peasants who lived in rural areas.





